Bridling
National Arts Festival and FEC
Theatre / Rhodes Box

Bridling, written by Nadia Davids, is the third collaboration between the playwright and director/choreographer Jay Pather. Davids’s adaptation of her Caine-Prize award-winning story of the same name, is an electric new work in which a young actor wins a prize role in an edgy performance art production helmed by a lauded male director.

 

Performed by Buhle Ngaba, and supported by dancer Shaun Oelf, the play charts the actor’s journey from audition to opening night, containing within it a dark, unsettling meta-commentary about creativity, feminism, compromise and rebellion.

 

Pather takes up Davids’ feminist tale - described by Caine Prize judges as “a triumph of language, storytelling and risk-taking”- to create an exquisite multi-disciplinary work that seamlessly merges text, movement, set and image in his singular, innovative style.

 

This is the first time these four artists have worked together since the much-lauded What Remains.

 

Trigger Warning | Aspects of GBV

Production Credits

Writer |  Nadia Davids 

Director |  Jay Pather 

Performers |  Buhle Ngaba and Shaun Oelf 

 

Set Designer | Nicola Pilkington

Projection Designer | Nicola Pilkington

 

Stage Manager | Andi Columbo

Production Managers | POPArt Productions

 

Produced by | National Arts Festival and the Festival Enterprise Catalyst

 

About the Artists

Nadia Davids

Nadia Davids is a multi-hyphenate South African writer, scholar, former President of PEN South Africa, and the winner of the 2024 Caine Prize. As an A.W. Mellon Fellow, she has been a visiting scholar/artist at the University of California Berkeley, New York University and at the Royal Central School of Speech and Drama in London. She’s held faculty positions  at Queen Mary University of London and at the University of Cape Town.


Her plays, At Her Feet, What Remains, Cissie and Hold Still, for which she’s won the Olive Schreiner Prize for Drama and two Fleur du Caps for Best New South African Play, have been staged throughout Southern Africa and in Europe. Her debut novel, An Imperfect Blessing, was shortlisted for the Etisalat Prize for Literature. She was a 2023 Aspen Writer in Residence. Her novel, Cape Fever Simon and Schuster (US) and Scribner (UK) will be published in 2025.

 

Jay Pather 

Jay Pather is a director, curator, choreographer and an academic. He curates a Live Art Series for Smithsonian’s National Museum of African Art, the Afrovibes Festival in The Netherlands, co-curates Spier Light Art and is Professor Emiritus at the University of Cape Town. He has curated Infecting the City Public Art Festival and the ICA Live Art Festival in Cape Town, the French Season Africa 2020/21 and Spielart in Munich. Recent work include direction of Nadia Davids’ Hold Still and surface tension which he created as a result of a Vila Albertine residency in New York. Recent publications include Acts of Transgressions, Live Art in South Africa and Restless Infections, Public Art for a Transforming City. A monograph, Jay Pather and Spatial Politics, by Ketu Katrak was recently published. Pather has been named Chevalier des Arts et des Lettres by the French Government.

 

Buhle Ngaba 

Buhle Ngaba is a multi-award-winning South African theatre maker, actor, writer, and researcher whose work explores the power of storytelling to amplify African women's voices. A graduate of Rhodes University in Acting and Contemporary Performance, she began her professional career under Andrew Buckland with the acclaimed Ubom! Eastern Cape Theatre Company. She gained national recognition for her performance in the world premiere of John Kani’s Missing, earning nominations for both the Fleur du Cap and Naledi Theatre Awards.

 

In 2016, she founded Maru Factory, an independent production company for her original works. As the recipient of the prestigious Brett Goldin Bursary, she trained at the Royal Shakespeare Company, where she wrote her debut play Swan Song. She was also nominated for a Fleur du Cap Best Leading Actress award for her role in What Remains, written by Nadia Davids and directed by Jay Pather. In 2024, Buhle was awarded the Market Theatre’s Barney Simon Residency, where she developed her latest production, Bling!, which premiered to critical acclaim and a sold-out season at Vienna Festival. Bling! will continue its international tour in 2025, with plans for a South African homecoming in 2026.

 

Shaun Oelf 

Co-Founder of Figure of 8 Dance Theatre

Shaun Oelf is a professional dancer, choreographer, and teacher with a passion for creating innovative and captivating performances. Born in Johannesburg and raised in Knysna, Oelf's journey in dance began in 2006 under the artistic direction of Alfred Hinkel and John Linden after which he joined Jazzart as a company dancer, honing his craft and developing his unique style.

 

Throughout his career, Oelf has had the opportunity to perform in a diverse range of productions, from collaborations with renowned musicians to large-scale theatrical productions. Some highlights of his performance career include Flower Of Shembe (2013) with Neo Muyanga, I Hit The Ground Running (2013), Struck Silent (2014), Adagio for a Hacked Life (2016), and Fishes Of Hope (2014-2015) South Africa, Austria, and Germany). He has also performed in productions such as West Side Story (2018), Porgy and Bess (2019, South Korea and Argentina), Couched at the Toyota Stellenbosch Woordfees, Wag/Waiting at the Baxter Theatre and Toyota Stellenbosch Woordfees, KARATARA (2022) at KKNK, Embody You (2022), Set In Motion (2023) and Braam en die Engel (2024).

  • Venue: Rhodes Box
  • Location: Rhodes Theatre
  • Ticket price: ZAR 130.00
  • Programme type: Curated Programme
  • Genre: Theatre
  • Duration: 70 minutes
  • Ages: PG (PARENTAL GUIDANCE)
    • L - LANGUAGE
    • M - MATURE CONTENT
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