To teach in ways that teach us to care for the soul
Visual Art / New Gallery

If a drawing could talk, what would it say? Threads sprinkling out of a former toilet paper roll, emerging from and receding into the paper’s surface — what would its voice sound like?

 

Our journeys in this realm of physical awareness are a pilgrimage toward our inner vitality and source, even as nearly everything around us obscures and pulls us away from it. We find ourselves wandering from the very thing we seek — and truly, from ourselves. 

 

To teach in ways that teach us to care for the soul is a declaration, a call toward transgression and, ultimately, joy and liberation. Through a drawing practice that is embodied, playful, and intuitive — one of speaking, breathing, thinking, dreaming, walking, writing, and being — we are invited to return to self. 

 

How, then, might drawing equally trace and embody your soul’s quest for nourishment, holding lessons of care and triumph in each mark made and seen? This wandering is scratched, stitched, and sewn, piercing the delicate fabric of wax paper already marbled by traces of its past lives. Clothing snaps sit silently unclasped in the company of nets laden with scrunched-up wonder. 

 

Maleke deploys drawing as a vehicle to tell stories, to map thoughts, and — quite significantly — to trace movement. The work calls on us to gently hold the astounding tension between thriving and falling apart, as lengths of thread pierce the wax paper and hold it together. Through the expansive work, we gain a palpable awareness of movement across the length of paper, imagining the dance and contortions that have mapped contemplations, propositions, and refusals along its surface.

 

Maleke’s installation does not compel us to understand, but to witness — to meet the soul on its path.

Artist Biography

Nyakallo Maleke is a South African visual artist whose intricate drawings serve as meditative explorations of migration, memory, and identity. Each work becomes a journey in itself — an evolving map of vulnerability, spatial awareness, and the complex geographies of the self. Her practice investigates the liminal spaces we occupy and the traces we leave behind, using drawing not just as a medium but as a metaphor for movement, displacement, and emotional terrain.

 

A graduate of édhéa – École de design et haute école d’art du Valais in Switzerland, where she earned her Master’s degree, Maleke’s formal training deepened her conceptual approach while affirming her instinctive mark-making process. Her time in Europe also led to numerous exhibitions across the continent, where her work has been praised for its subtle intensity and ability to convey profound narratives through line, absence, and repetition.

 

Maleke’s drawings often blur the boundaries between cartography and storytelling, archival impulse and poetic abstraction. In her hands, the act of drawing becomes a means of recovery — of histories lost, lands traversed, and selves reshaped. Her current body of work continues to challenge the conventions of the medium, expanding the conversation around what drawing can be and what it can hold.

 

Through her practice, Maleke invites viewers into a quiet yet powerful contemplation of place, presence, and belonging — charting emotional and physical landscapes that resonate across cultures and borders.

Credits

Artist - Nyakallo Maleke

 

Studio Assistant - Makaziwe Radebe

Metal Frame - Daniel Bruce Gray

Exhibition Text - Tšhegofatšo Mabaso 

Exhibition Poster/Zine - Scott Eric Williams 

Studio Space - Doreen Southwood

  • New Gallery
  • Monument Building
  • Daily during the Festival 09:00 to 17:00
  • Daily entry to the exhibitions is free. The scheduled walkabouts have a minimal cost and booking is essential.
  • New Gallery
    June 27, 2025 12:00 - 13:00
  • New Gallery
    June 29, 2025 10:00 - 11:00
  • New Gallery
    July 05, 2025 11:00 - 12:00